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Swiss Valley

A panoramic view of my home-town Goldau created out of 8 vertical images handhold.

Exif Info

  • Camera: Canon EOS 5D Mark II
  • Exposure Time: 1/400
  • Aperture: f/8
  • ISO: 160
  • Focal Length: 24mm

 

The 92 Megapixel HDR Panorama - new HDR tutorial available

This is the view of Zug, Switzerland during early morning hours in April around 1 hour after sunrise.

My newest tutorial shows in detail how I created that picture:

HDR Tutorial – Part 3: The 92 Megapixel HDR panorama

92 Megapixel Panorama in HDR of the city of Zug in Central Switzerland. Shot during early morning hours about 1 hour after sunrise.

A different kind of panorama using the Brenizer Method

I shot this panorama in twilight using the Brenizer Method developed by NYC wedding photographer Ryan Brenizer.

If you don’t want to read the entire tutorial – see link above – here is the short story:

- Find a rather long lens with a very wide aperture: 85mm f/1.2, 135mm f/2
- Set your camera to manual mode and choose the widest possible aperture setting for your lens and lock your exposure
- Shoot -> click the Brenizer Method link above
- Stitch it in Photoshop

The full-size panorama is a 64 Megapixel file created of 6 exposures:

Exif Info:

  • Canon EOS 5D Mark II
  • Exposure Time: 0.008s (1/125)
  • Aperture: f/1.4
  • ISO: 1600 -> thank your Canon and Adobe (Lightroom) for making this possible
  • Focal Length: 85mm (85mm in 35mm)

 

That's a stitched panorama out of 6  exposures. I uploaded the full-res 64 Megapixel file.

Winter Wonderland in Engelberg, Switzerland

This is a stitched panorama made of 5 hand hold exposures using the Canon EF 16-35mm f/2.8 lens shot at 16mm.
Click on the photograph to view the 7400 pixel wide full-res version.

Exact Location:

View

Heavy Machinery or how to kill the autofocus of the Canon 50mm f/1.4

The light or better the remainder of the light was awesome and the sky was about to explode – which it actually did just a couple of minutes after I took those pictures but more of that later.

I was walking the dog that evening and only brought my fast 50 with me (translation: Canon 50mm f/1.4) – no tripod of course. The light level was so low I had to shoot fully open at f/1.4 and ISO 6400 to get a shutter speed of 1/40. To create a wide-angle panorama with a 50mm I shot a total of 17 frames and stitched it together using Photoshop CS5.

I adjusted the white-balance to reduce the color temperature even more – (I shot in the tungsten setting as always for night photography – and used the built-in noise-reduction of Lightroom 3 on the 17 RAW files before exporting them to smaller JPG’s to process in Photoshop. I do this most of the time for big panoramas to save time and to see if it actually works – it doesn’t all the time and that’s a optimistic statement.
I can still process the full-res RAW’s the same way later if I want to – I didn’t feel like for that one as I’m generally not patient enough to wait 4 hours.

It was a fairly quick process in Photoshop – thanks to the small JPG’s. After I cropped the produced panorama I created a black-white layer using the awesome Silver Efex Pro 2 by Nik Software using a green filter and blended it using the Soft Light option to get more drama.

15 minutes after I took that shot a really bad rainstorm hit the area (and me without rain-protection), almost killing my 50mm lens. My Canon 5D Mark II is weather sealed but I forgot that the 50 was not. I usually don’t mind the rain and keep shooting but the autofocus in the lens stopped working after a few minutes – that was the last time I shot with that lens in the rain, btw.

Check my blogpost at http://bit.ly/eXrMio for details on how I created that image.

#44/365 After The Sun Was Gone

I went to a Astronomy Summer class with my kids and just brought my fast 85mm f/1.2 portrait lens. After the Sun went down, the light went from good to awesome and I wanted to do a wide-angle shot of that church so I shot around 20 frames and stitched it together using the awesome Photoshop CS5 “Photo-Merge” option. I was obviously shooting in manual mode and didn’t realize that my shutter speed went pretty slow at 1/25 so a few of the frames were blurry but I got enough together to create the final image.

#44/365 After The Sun was gone