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This is the view of Zug, Switzerland during early morning hours in April around 1 hour after sunrise. My newest tutorial shows in detail how I created that picture: HDR Tutorial – Part 3: The 92 Megapixel HDR panoramaI shot this panorama in twilight using the Brenizer Method developed by NYC wedding photographer Ryan Brenizer. If you don’t want to read the entire tutorial – see link above – here is the short story: - Find a rather long lens with a very wide aperture: 85mm f/1.2, 135mm f/2 The full-size panorama is a 64 Megapixel file created of 6 exposures: Exif Info:
The light or better the remainder of the light was awesome and the sky was about to explode – which it actually did just a couple of minutes after I took those pictures but more of that later. I was walking the dog that evening and only brought my fast 50 with me (translation: Canon 50mm f/1.4) – no tripod of course. The light level was so low I had to shoot fully open at f/1.4 and ISO 6400 to get a shutter speed of 1/40. To create a wide-angle panorama with a 50mm I shot a total of 17 frames and stitched it together using Photoshop CS5. I adjusted the white-balance to reduce the color temperature even more – (I shot in the tungsten setting as always for night photography – and used the built-in noise-reduction of Lightroom 3 on the 17 RAW files before exporting them to smaller JPG’s to process in Photoshop. I do this most of the time for big panoramas to save time and to see if it actually works – it doesn’t all the time and that’s a optimistic statement. It was a fairly quick process in Photoshop – thanks to the small JPG’s. After I cropped the produced panorama I created a black-white layer using the awesome Silver Efex Pro 2 by Nik Software using a green filter and blended it using the Soft Light option to get more drama. 15 minutes after I took that shot a really bad rainstorm hit the area (and me without rain-protection), almost killing my 50mm lens. My Canon 5D Mark II is weather sealed but I forgot that the 50 was not. I usually don’t mind the rain and keep shooting but the autofocus in the lens stopped working after a few minutes – that was the last time I shot with that lens in the rain, btw. I went to a Astronomy Summer class with my kids and just brought my fast 85mm f/1.2 portrait lens. After the Sun went down, the light went from good to awesome and I wanted to do a wide-angle shot of that church so I shot around 20 frames and stitched it together using the awesome Photoshop CS5 “Photo-Merge” option. I was obviously shooting in manual mode and didn’t realize that my shutter speed went pretty slow at 1/25 so a few of the frames were blurry but I got enough together to create the final image. |
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Copyright © 2012 Ingo Meckmann Photography – The Blog
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