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Nik Software releases Snapseed for the Mac - a first Review

In case you’ve missed this: Nik Software just announced the release of Snapseed for the Mac.

I had the pleasure of testing the application during the past few weeks while it was still in beta and I really enjoyed it – well, most of it….

Given the rather low price of $19.99, this latest software release from the creators of Silver Efex Pro and Color Efex Pro targets the amateur photographers who cannot or do not want to spend $200 for “just” a plugin but still want their images to stand out from the crowd.

Here are my thoughts in two versions:

The (very) short version:

If you are a Mac user, love photography but have a tight budget you should consider Snapseed to bring your pictures to the next level. Snapseed has a very good black and white conversion tool quite similar to the Awarded winning Silver Efex Pro. This alone makes it worth to buy it.

The (rather) long version:

If you have been using Snapseed on the iPad you will have no problems at all getting comfortable with the user interface. The startup screen will provide you with a selection of “Basic Adjustments” and “Creative Adjustments”.

Main Screen:

If you are using a editing tool like iPhoto or even Lightroom or Aperture you might not need the “Basic Adjustment” panels as you pretty much can do the same modifications right in those applications except for one feature that users of the Nik plugin’s will like – Control Points.

Tune Image

The “Tune Image” screen provides you with the infamous “Control Points” that let you adjust brightness, contrast and saturation around resizable circles similar to what a layer mask in Photoshop would do:

Crop and Straighten

The next tool in the “Basic Adjustment” section is the “Crop and Straighten” tool that does just about what you would expect it to do. You can choose between preconfigured aspect ratios or crop it freely. The “Straighten” tool works pretty much like in Lightroom; you just draw a line along your crooked horizon and it will straighten it.

Details

The last item in the “Basic” section is called “Details” and takes care of Sharpness and Details. I did not find it useful at all as you have no control about what to sharpen or more important what NOT to sharpen. I don’t recommend using this as it will create noise in areas that you usually don’t want to sharpen – like the sky. The sharpening feature in Lightroom 3 is way better.

Now to the better part – the “Creative Adjustments”:

1. Black & White

As mentioned above, this feature alone makes it worth spending the money on Snapseed and is a light version of my favorite Lightroom, Aperture and Photoshop plugin: Silver Efex Pro 2.
I call it the 2nd best black and white conversion tool available today (right after Silver Efex Pro) that provides you with brightness, contrast and grain sliders. The best feature, though is the “Color Filter” with red, orange, yellow and green filters that will blow your mind.
Here is a short explanation of the different filters and what they do to your black and white images: (Source: http://www.schneiderkreuznach.com)

  • Red filter: Harsh reproduction, intense color deviation, strong cloud formation, good rendering of distance, even with haze.
  • Orange filter: Similar effect as red filter, but not such harsh contrast and fewer color deviation effects.
  • Yellow filter: Functions without color deviation.
  • Green filter: Best for landscapes with a lot of forest and meadows. Creates a contrast between different shades of green.

2. Center Focus

This adjustment panel lets you control the vignetting and blurring effect on the edges of the image. I couldn’t find a good use for it and it doesn’t suit my personal style – you also have no control over feathering, roundness and midpoint of both the blur and vignetting features.

3. Drama

This panel consists of 3 sliders: Strength, Brightness and Saturation.
What this tool does is adding contrast and details to the picture but I couldn’t really find a good use of it as it tends to create haloes around the high contrast edges and adds noise. The effect is similar to the “Tonal Contrast” filter in Color Efex Pro 4 for those who are familiar with that tool but should be used with caution.

4. Frames

Have you ever seen me using frames for my photographs? Nope.

5. Grunge

My first impression was: NFW!
But then I started playing with different images and for certain type of landscape photographs and very subtle settings this might actually work if you like having textures in your pictures. In addition to textures, it also added some blur to the edges of the image that you can move and resize with a control-point but you do not have control over the how much blur to add.

6. Vintage

This tool is pretty much the same as Grunge but without the blurred edges and with more control over the strength of the filter. If you like adding textures to your images, this is the tool to use. If you keep the “Syle Strength” slider to very left and the “Saturation” slider to the very right with brightness in the middle you just get the desired textures (you have a choice of 4) added to the picture without any additional unwanted modifications.

7. Tilt Shift

Last but not least the tilt shift tool which is actually quite useful. I’ve done a few “fake tilt-shifts” in Photoshop lately and did the same in Snapseed and couldn’t really see a big difference expect for the time I spent in both application. You certainly have much more control in Photoshop but for a quick tilt-shift effect, Snapseed has become my tool of choice.

Summary:

I think Snapseed is much better suited for the Mac than for the iPad but this is my personal opinion. I see it as a perfect tool for the amateur photographer who doesn’t want to spend a huge amount of time and money to process his/her pictures in Photoshop and plugin’s like Silver Efex Pro and Color Efex Pro. For myself, I can see me using it for quick tilt-shift effects, adding textures and even black and white conversions if I don’t want to spend time in Silver Efex.

If you are currently using iPhoto to manage and edit your photographs, I highly recommend spending the $19.99 to add Snapseed to your workflow. What I hope Nik Software will do for the next release is to make it useable as a plugin for Lightroom, Aperture and Photoshop plus as an external editor in iPhoto. As of now, you will have to use it as a standalone app.

A Giant 30 feet Mural made with a 5 Megapixel Camera

Some background:
In Spring 2003 I traveled through the Southwest with my family. One of the many destinations was Upper Antelope Canyon near Page, AZ. I didn’t have have DSLR back then and was shooting with a Minolta Dimage7 – a 5 Megapixel camera. I also brought with me an “awesome” $19.99 Walmart tripod with wobbling legs – it was really bad. Nevertheless, we were sitting on the back of that truck that brought us from the dusty parking lot on the the dusty “road – it was a dry river – to the dusty Antelope Canyon. It wasn’t that crowded back then and absolutely amazing – it was possibly the first time I thought photography could be something for me, I was so passionate and didn’t want to leave, I was just shooting and my family annoyed ;)

The one below was my favorite picture of that day which I later posted to Flickr and Wikimedia Commons:

Light at the end of a Tunnel

Fast forward a few years:
A Denver architect approached me in May 2010 asking to license that picture for a project they were doing in Arizona. As I didn’t have the right to use the images commercially (you need t ask for permission from the Navajo’s and I never thought of that, back then…), I released it under Creative Commons. I therefore gave them the permission to use my photograph for their project – they mentioned that they wanted to create a big print out of it but I had no idea HOW big…

A couple of months later, I got a first picture from the construction site and that’s when I realized the size of that thing. They were constructing new dorm buildings for the University of Arizona in Tucson, AZ and one entire side of the entrance building was covered with my picture.

Their Explanation of the process:
“University of Arizona, Tucson – on the southwest corner of the campus the student housing project has a study room with tall glass walls. These walls are protected from the sun by copper anodized aluminum perforated panels. The panels are punched part way through and then the ‘tabs’ are bent out to create a shadow. Collectively the shadows come together to form the image. The image was created by sending the photograph through a computerized machine that interprets all of the shadows based on a gradient from light to dark. Then the tabs are punched at various angles to create the image.”

The close-up’s below give you an idea how it was made:


The project has been completed in the meantime but I don’t have the exact measurements yet but I guess it’s at least 30 feet tall so think about that next time you complain that your camera doesn’t have enough megapixels – even the iPhone as more now…

Unfortunately, I haven’t seen the finished project myself but it’s definitely on my bucket-list to shoot.

Oh, almost forgot: If you are a photographer living in or near Tucson, AZ and want to create a great picture of that builidng, prefarable at dusk or dawn, shoot me a comment or email, would u?

Question of the Day - What is this?

Use the comment section below to answer. The winner gets all the fame – I promise.

An old House also known as Schloss Hallwyl

Schloss Hallwyl

New HDR Tutorial available - Shooting in the Darkness of the Night

I just released part 2 of my HDR Tutorial – this time talking about shooting in the darkness of the night.

Besides the step-by-step process I cover topics on how to calculate the proper exposure at night for shutter speeds of 30+ seconds and I explain long exposure noise reduction and it’s pro and contra.

HDR Tutorial – Part 2: Shooting in the Darkness of the Night

0 EV RAW File:

Final result:

City Pier, Naples FL

The pier in Naples, Florida is one of my favorite subjects when photographing in that area.

It has so many different faces based on the time of the day and the weather. It can be very crowded during the day especially over the Holiday season but folks tend to disappear very quickly after the Sun has set – even photographers with pro-gear and tripods were leaving the area BEFORE the magic light started to create its awesome show. I was literally alone on the pier and enjoyed the spectacular view just for myself.

The best days to photograph are the ones with heavy overcast skies and if you’re lucky the clouds break right after or around sunset.

I created a dedicated gallery on my Portfolio Site and more will be added as I have many unprocessed pictures of the area in my library.
Here just some random outtakes:

I shot this picture just 30 minutes after the previous post

The Speed of Light

I really enjoy shooting city scenes after the sun goes down.

    The Twilight Zones:

There is no better time for shooting urban landscapes at or around civil and nautical twilight. That’s the time of the day when the brightness of the sky balances well with the artificial light from buildings, street-lamps and car lights resulting in beautiful dark blue skies. Once you hit astronomical twilight you do not have enough light in the sky to match the city lights and it turns black.

The rule for the different twilight zones is based on the solar elevation angle, which is the position of the geometric center of the sun relative to the horizon. (Source: Wikipedia).

A much easier method to define the twilight zones for a given day is the $1.99 iPhone app Darkness, one of my most used apps and prominently located on page 1 on my iPhone.

    White-Balance:

After the sun goes down, I always switch my white-balance to tungsten as the artificial lights in the streets and buildings are of a very warm color. Most of the time, I have to cool it down even more in post-processing to get the pavement to a neutral gray. The side effect is that the sky turns into a very saturated blue without boosting any vibrance sliders.

The photograph below was shot on November 8, 2010 at 17:47 MET which, for that day, was Civil Twilight.

The Speed of Light

    Gear and more:

You do not need expensive cameras and lenses to create photographs like the one above but you need a sturdy tripod because of the long exposures as you want to close-down your aperture to get as much depth of field as possible resulting nice starburst effects. My rule of thumb is to shoot at or around f/16 but I closed down my lens down to f/22 for that picture to get the longest possible exposure (13 seconds) to extend the light-trails of the cars driving by. You’re loosing a bit of sharpness at f/22 but that was ok for me here.

Update on my “Biggest Print Ever” for the University of Arizona

A few months ago, I blogged about one of my pictures that got used as part of a giant building project for the University of Arizona in Tucson.

Things have processed nicely since then and the project is reaching the final steps with an estimated completion date of May 2011. Unfortunately, I only received one updated picture of the construction site for now.

In case you’re living in or near Tucson, AZ take a look at the site and if you happen to carry a camera, shoot some pictures and add a comment to this blog-post and I will publish your images.

The exact location of the site is shown on the map below.

[maptype=G_HYBRID_MAP;zoom=12;gpxview=all]

Construction site pictures have been provided by AR7 Architects – More information about the project can be found on their webiste at http://www.ar7.com

My biggest print ever – a Mural for the University of Arizona

Earlier this year, I was approached by a Denver, CO based architect with the request to license one of my photographs I shot at Antelope Canyon a few years ago for a large scale project. I didn’t know back then what they exactly meant by “large-scale” but I do now…

That was the original image:

and this is what they did with it:

University of Arizona, Tucson – on the southwest corner of the campus the student housing project has a study room with tall glass walls. These walls are protected from the sun by copper anodized aluminum perforated panels. The panels are punched part way through and then the ‘tabs’ are bent out to create a shadow. Collectively the shadows come together to form the image. The image was created by sending the photograph through a computerized machine that interprets all of the shadows based on a gradient from light to dark. Then the tabs are punched at various angles to create the image.

It’s still under construction and won’t be completed before Spring next year but the mural is up now and I’m told the size is roughly 31ft by 32ft and nearly 3 stories high. Pretty cool – I think.

Taking a closer look reveals the actual “pixels”:

Getting even closer shows the alignment of the tabs that act as “pixels”.

I will update the progress as soon as new pictures become available.

Disclaimer:
Construction site pictures and technical description have been provided by AR7 Architects – http://www.ar7.com

Medieval Times

A few months ago, I visited the remains of a 13th century castle near the town I’m living and while the light was horrible – noon, no clouds – I saw great potential for an on-location portrait session.

Together with a photographer friend of mine, who organized two models and their appropriate clothing for that location, we setup the shoot last Saturday and were very lucky with the weather as it provided a great overcast sky with nice clouds although it was a bit chilly.

A click on below photograph will bring you to the gallery on my Portfolio site – feel free to drop me a comment below.